Art exhibition September 2-16th September 2011 Berlin 22nd, 2011 – September 2, 2011 opens in the Michaela Helfrich gallery the exhibition love-poetry revolution ‘. ” On this topic, the artists present their individual work. In addition to abstract and figurative paintings and installations and sculptures can be seen. The oil painting by Oliver Dehn shows a separate game type of realism. Christina Gay kidnapped in their abstract world. Emel Geris combines topics in their picturesque, virtuoso images and puts the viewer in a day dream of different worlds and cultures.
The paintings and installations by Bjorn Paulissen have variants of the constructivism and minimalism and present cosy industrial fabric in a color collage. Credit: Naveen Selvadurai-2011. -Photos by Ralf Rose show the lyrical romantic intimacy. The shimmery sculptures by Stefan Seitz are a strange mixture of symbolism and witty figurative representation, animal sculptures with a circular saw in wood rustic. Nanako Shikata’s color very are paintings and sculptures restrained and open up a new space of speed and movement. With his small, erotic portraits, Thomas Juptner brings us to dream.
The women’s faces and author presentations by Michael Killian Wagner touch in such a delicate and sensitive way and impress with their reduced design motifs. The manner of Thomas Koch puts people in groups in a picturesque landscape, encourage thinking about sociology, space and time. Sybilla Weisweiler divides the world into pointillist structures in her acrylic paintings. The cube images composed of multiple parts of Elvin Karasslan offer, viewed from all sides – a different, interesting perception. Depending on the position this is new for every viewer. UTA Zeidler allows us to think through the ubereinanderschichtung of paint on the dialectic of becoming and passing of own emotions, people and landscapes. The classic Division of the oil paintings by Gerard Waskievitz, which determines of Existentialist themes seem to suggest in their colour restraint employment with old masters.
This question I come it lately to me doing more and more, and it consists to me that I am not the unique one. It gives the sensation that the distributors have waked up to the social networks and they only strive in Facebook or Twitter, leaving the Web of the almost left obsolete film and. Learn more about this with Rebecca Parents. They are more and more poor and with worse contents. On the one hand every time more attractive viral actions (case of The Expendables in Youtube – echadle a look until the end) and by another one are made every time simpler and are left the Webs, that in theory would have to be the central place to lodge these actions, in aim. The mold of these cutrewebs goes thus: You abres the Web and appears the trailer, that you can close when you want. The bottom of home is a static adaptation of the poster and you can choose between photos, unloadings, videos and filmografas of the actors. Credit: shaw dad-2011. The photos are bad, the videos usually are spot and trailers and, normally, you are less than those you can find in Youtubeor Facebook, and the filmografas usually are incomplete and they are left almost always some actor was. Much worse than if we are going to IMDB to look for information.
And of the unloadings he is better not to speak, still I do not know which have unloaded salvapantallas, bottom or, and this is a recent newness, image of profile for social networks (that wants to be represented by a pequeita photo of a film that not even has been released). This is the norm in the Webs of now. Later, from time to time, we found some Web that proposes one or two games, of those to move the flechita above or down with the cursor, to both minutes to use it you are indifferent and you ask yourself because somebody would want that they related its film to a cutrez of game like that.
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Obtaining of information Like part of the project, the U.T.E created by Audiotec and CTA will realise the previous compilation of all the necessary information for the development of the noise maps, as well as the development of the methodologies and techniques necessary for the obtaining of the acoustic data necessary to complete them. In this sense, the Council of Environment considers opportune to begin as rapidly as possible with the data summary to paraadecuar the cartographic information and other types of documentation to the needs of the noise maps and, of this form, to obtain that they are available in 2011 and " to be able to develop the maps in 2012, as it indicates the norm of the Comunidad". In addition, the mentioned Council emphasizes that these works require a high degree of specialization and, therefore, " they only can be carried out by people with a suitable formation and who have the average technicians necesarios". They are requisite to that the organizations are not other people’s that form the U.T.E that has gained east contest on watch, since as much its experience of than 25 years in subjects related more to the noise, like the high qualification of its multidisciplinary human equipment, or the facilities that conform their laboratory of acoustics turn to these organizations into the suitable option for carries out the project. The acoustic information for the creation of the noise maps they will be compiled, like " work of campo" , in the railway streets and routes, as well as gaugings of in motion and railway traffic corresponding to the populations study object. In addition, for the effectiveness of the maps one becomes necessary to contribute data of representative hour intensity, speed average and percentage of vehicles (as much for the light vehicles as for the heavy vehicles), differentiating in any case each one of the periods denominated like:Day (7-19h), Behind schedule (19-23h) and Night (23-7h).